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8 January 1836 – 25 June 1912. Most renowned painters.

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MASOLINO da Panicale
Madonna and Child, Saint Anne and the Angels

ID: 59776

MASOLINO da Panicale Madonna and Child, Saint Anne and the Angels
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MASOLINO da Panicale Madonna and Child, Saint Anne and the Angels


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MASOLINO da Panicale

Italian Early Renaissance Painter, ca.1383-1447 Florentine painter of the early Renaissance, whose real name was Tommaso di Cristoforo Fini. His versatile painting incorporated his feeling for decorative color with strong modeling and spatial organization. He was admitted (1423) to the apothecaries' guild in Florence, in which painters were enrolled, and was soon commissioned to paint the frescoes in the Brancacci Chapel in Florence. These were continued by his pupil Masaccio upon Masolino's departure (1427) for Hungary and were completed by Filippino Lippi, thus greatly complicating the question of authorship; currently scholars attribute to Masolino St. Peter Preaching, St. Peter Healing the Cripple, The Raising of Tabitha, and The Fall of Adam and Eve. Upon his return to Florence, Masolino found painters occupied with problems of perspective, light and shade, and classical architecture and decoration, ideas that he utilized while retaining much of the old Giottesque tradition. He went to Rome where he painted frescoes in the Church of San Clemente for the Cardinal Branda Castiglione. For the same patron he decorated the church of Castiglione di Olona in the province of Como, Italy. There he represented scenes from the life of the Virgin and of St. John the Baptist. Attributed to Masolino are The Foundation of Santa Maria Maggiore and a Madonna and Christ in Glory (Naples);   Related Paintings of MASOLINO da Panicale :. | Banquet of Herode (detail) sg | The Philosophers of Alexandria (detail) sg | Modonna of Humility | St Peter Preaching | Madonna with the Child s |
Related Artists:
Pippin, Horace
American, 1888-1946 .U.S. folk painter. Pippin served in the infantry in World War I, but he was wounded in 1918 and discharged with a partially paralyzed right arm. His first large canvas was an eloquent protest against war, End of the War: Starting Home (1931 ?C 34). His primary theme became the African American experience, as seen in his series entitled Cabin in the Cotton (mid 1930s) and his paintings of episodes in the lives of the antislavery leader John Brown and Pres. Abraham Lincoln. After the art world discovered Pippin in 1937,
Alfred Darjou
1832-1874
Archibald M Willard
1836-1918 Archibald M Willard Gallery






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